Quote:
Originally Posted by *mazedsalv**
True, I was kind of focussing on the actual narrative, but obviously I didnt know about how big it was back then and that they were trying different methods on doing things.
I should actually be looking at stuff like that now, Im a Film Student now so i need to look at all aspects of films such as cinematograpghy, sound and lighting. But as i saw it years ago, I didnt know to look out for that. Talking about cinematograpghy, I got a B talking about the use of cinamatograpghy in the film "Leon".... ohh yeah  |
Besson's films have a hypnotic effect on me, and that could be do to with his upbringing and love for the sea. There's a beautiful flow to his work, like the ebb and flow water. Watch the Big Blue and you'll see how amazing the man is at shooting in a particular style.
No, the narrative for Cane was fairly groundbreaking too. Welles had never worked on a film prior to this .... he came from a background of theatre.