[Iceman]

Originally Posted by Nate

oh my...it's wonderful.

Arctic leak > Gaga

You better run theyll come after you with Unicorns and hookers....

I wont ever hear the gaga album so it dont bother me, still havent heard the first one yet either!

Ive listened to the album twice now, its considerably better than Humbug and up there with WPSIATWIN

[King Gizzard]

and 'claws' or 'paws' whatever they are which Gaga stole off Death Metal..

[Iceman]

Originally Posted by Nate

and 'claws' or 'paws' whatever they are which Gaga stole off Death Metal..

Thats that cringey thing they do where thay all look like deformed cats

[InOne]

That link gave me a load of spyware been trying to get rid for hours

[King Gizzard]

the megaupload one? the link or the actual file?

[Ramsay]

the link hasent given me anything but it also didnt start download so i dunno

[InOne]

It was when I clicked it I think, I dunno, all happened so fast

[King Gizzard]

Here's me running all my spyware programmes as well! my laptoppy is still working fine though and nothing really came up..

you sure it isnt one of them fake ones? i get them quite a bit

[InOne]

Yeah it's a fake anti virus, but it's a **** to get rid of, also at first wouldn't let me go on google or anything

[King Gizzard]

ah..so its the luck of the pop up you get from megaupload then...the bastards should really take more care of who theyre letting advertise through them

[Iceman]

Have you listened then yet Joe?

[InOne]

No i'll check out the youtube ones lol

[Iceman]

Poxy that it gave you a virus

You're gonna love the album man

[InOne]

Loving it so far!!!

[Iceman]

cant wait to actually have it though, hopefully it goes number 1 but with gaga being released net week its highly unlikely, bitch

[InOne]

I think Library Pictures is my fave so far, it's the one I keep listening to

[Iceman]

Love Is A Laserquest is my favourite, theres actually no songs I skip on this, im loving it

[Iceman]

Youtube video

Loving the previews of the B-Sides

IDST

[Iceman]

This album is fast becoming my favourite of theirs

[InOne]

Youtube video

Decent interview type thing here

[Iceman]

Having started their music career like a runaway train in 2005, it was inevitable Arctic Monkeys would hit the buffers at some point.

A fresh-faced indie-guitar quartet from Sheffield, they were barely out of their teens when their first album, with pithy songs about mini-cabs and nightclubs, became the fastest-selling debut in history.

But the party didn’t last. The band’s Glastonbury headline slot in 2007 was disappointing and their last album, Humbug, saw them abandon catchy choruses for heavy, muscular riffs.

In a bid to be seen as more serious musicians, they grew their mop-topped hair and adopted the look of Seventies rock gods.
All grown up: Arctic Monkeys have returned with a rejuvenated sound

All grown up: Arctic Monkeys have returned with a rejuvenated sound

Singer Alex Turner has done some serious thinking — and made more regular visits to his barber — since. This fourth album, built around potent hooks and chiming guitars, reaffirms his status as one of his generation’s sharpest songwriters.

From the album title (apparently chosen in tribute to Carry On films — though some worried U.S. stores have covered it up) to the accessible arrangements, it is a huge step in the right direction. Made in the same LA studio as Fleetwood Mac’s Rumours, it has a sunny feel.

‘Everyone was in a good mood when we were there. The fact we were having a laugh comes across,’ says Turner. ‘We wanted the album to sound up; not too serious.’

The band — Turner, Jamie Cook, Nick O’Malley and Matt Helders — also changed their approach in the studio. Rather than piece songs together by jamming, they finished the words and music before starting work with producer James Ford.

The outcome is a tight, melodic affair in which a dozen songs race by in 40 minutes.

Turner has upped his game as a singer. Once noted for barking out his lyrics in short, sharp bursts, he’s now more versatile. As a songwriter, too, there are signs of maturity.

Once surly in interviews and spiky on record, the four rapscallions from High Green are now well-travelled individuals.

Turner moved to New York when his girlfriend, model Alexa Chung, took a job with MTV. Drummer Helders has had rap mogul Sean ‘Diddy’ Combs on speed dial since they worked together last year.

With lives like these, another batch of songs about provincial dancefloors and chip shops would have had a hollow ring. The impression that this is a more thoughtful affair is clear from the first two tracks, She’s Thunderstorms and Black Treacle, both jangling, melodic workouts owing plenty to the Sixties beat boom.

From that point, the songs swing between sweet, chiming pop and harder rock ’n’ roll numbers in thrall to glam-era Bowie and The Jam.

Reckless Serenade and Piledriver Waltz show the band’s softer side, with their rock instincts apparent on Don’t Sit Down ’Cause I’ve Moved Your Chair and Library Pictures.

When they broke through, Arctic Monkeys were hailed as saviours of British rock. But they turned out to be the last of a breed before being replaced by electro-popsters and rappers. This rejuvenation — especially if it gives homegrown guitar music a boost — is timely.

Read more: http://www.dailymail.co.uk/tvshowbiz...#ixzz1OE9m0wHQ

[Iceman]

Having started their music career like a runaway train in 2005, it was inevitable Arctic Monkeys would hit the buffers at some point.

A fresh-faced indie-guitar quartet from Sheffield, they were barely out of their teens when their first album, with pithy songs about mini-cabs and nightclubs, became the fastest-selling debut in history.

But the party didn’t last. The band’s Glastonbury headline slot in 2007 was disappointing and their last album, Humbug, saw them abandon catchy choruses for heavy, muscular riffs.

In a bid to be seen as more serious musicians, they grew their mop-topped hair and adopted the look of Seventies rock gods.
All grown up: Arctic Monkeys have returned with a rejuvenated sound

All grown up: Arctic Monkeys have returned with a rejuvenated sound

Singer Alex Turner has done some serious thinking — and made more regular visits to his barber — since. This fourth album, built around potent hooks and chiming guitars, reaffirms his status as one of his generation’s sharpest songwriters.

From the album title (apparently chosen in tribute to Carry On films — though some worried U.S. stores have covered it up) to the accessible arrangements, it is a huge step in the right direction. Made in the same LA studio as Fleetwood Mac’s Rumours, it has a sunny feel.

‘Everyone was in a good mood when we were there. The fact we were having a laugh comes across,’ says Turner. ‘We wanted the album to sound up; not too serious.’

The band — Turner, Jamie Cook, Nick O’Malley and Matt Helders — also changed their approach in the studio. Rather than piece songs together by jamming, they finished the words and music before starting work with producer James Ford.

The outcome is a tight, melodic affair in which a dozen songs race by in 40 minutes.

Turner has upped his game as a singer. Once noted for barking out his lyrics in short, sharp bursts, he’s now more versatile. As a songwriter, too, there are signs of maturity.

Once surly in interviews and spiky on record, the four rapscallions from High Green are now well-travelled individuals.

Turner moved to New York when his girlfriend, model Alexa Chung, took a job with MTV. Drummer Helders has had rap mogul Sean ‘Diddy’ Combs on speed dial since they worked together last year.

With lives like these, another batch of songs about provincial dancefloors and chip shops would have had a hollow ring. The impression that this is a more thoughtful affair is clear from the first two tracks, She’s Thunderstorms and Black Treacle, both jangling, melodic workouts owing plenty to the Sixties beat boom.

From that point, the songs swing between sweet, chiming pop and harder rock ’n’ roll numbers in thrall to glam-era Bowie and The Jam.

Reckless Serenade and Piledriver Waltz show the band’s softer side, with their rock instincts apparent on Don’t Sit Down ’Cause I’ve Moved Your Chair and Library Pictures.

When they broke through, Arctic Monkeys were hailed as saviours of British rock. But they turned out to be the last of a breed before being replaced by electro-popsters and rappers. This rejuvenation — especially if it gives homegrown guitar music a boost — is timely.

Read more: http://www.dailymail.co.uk/tvshowbiz...#ixzz1OE9m0wHQ

[InOne]

I've been listening to Humbug a bit more lately, don't get all the hate. This is a great song

Youtube video

[Iceman]

Im over Humbug now.

[InOne]

Humbug is over you