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Serious Debates & News Debate and discussion about political, moral, philosophical, celebrity and news topics. |
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#26 | |||
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The voice of reason
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Hopefully Katie Hopkins will get the job
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#27 | |||
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Flag shagger.
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#28 | |||
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The Italian Job
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#29 | ||
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Banned
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Sue's too good for it tbh.
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#30 | |||
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Likes cars that go boom
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Quote:
![]() I don't like the guy can you tell? Horrible twitter trolls, I hope she does get it now and they make sue the stig! ![]()
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![]() Last edited by Kizzy; 15-04-2015 at 12:54 PM. |
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#31 | ||
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Banned
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Of course we can't have a woman taking the job of a man now can we, especially someone like Jeremy Clarkson who plays up to the type of men that want women to know their place
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#32 | |||
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The voice of reason
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#33 | |||
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Senior Member
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Hmmmmm, Why not let Clarkson do Bake off, nah, it would never work
![]() Going by the Mel and Sue afternoon show that was on recently, I think Sue should just concentrate on Bake off and her stand up. |
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#34 | |||
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Flag shagger.
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The one thing worse than Sue doing Top Gear would be Mel and Sue on a jobshare.
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#35 | |||
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-
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#36 | |||
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Can I get a witness?
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I'd love Sue on Top Gear
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#37 | |||
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The voice of reason
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#38 | |||
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Namaste
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#39 | |||
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Flag shagger.
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#40 | |||
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The voice of reason
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make sure and watch the new series of W1A next week as there is lots of Clarkson stuff on there
Jeremy Clarkson – who else – looms large over the return of the BBC’s in-house sitcom. The W1A writing team have dealt with the corporation’s latest gaffe with all the deft humour and lightness of touch that their fictional BBC bosses – ineffectual and absurd from the unseen Tony Hall downwards – lack. We see inside the “Damage Limitation Meeting” in which Head of Values, Ian Fletcher, thrashes out “this week’s Clarkson strategy” ![]() Like Twenty-Twelve, the Olympics sitcom which preceded it, the joy of W1A is where life and art seem to blur, in those storylines which are silly, but not quite beyond belief. In this first, hour-long and gag-packed, episode of the new series, not only do the BBC chiefs have **********n to deal with, they are also in danger of losing Wimbledon – “leaving the BBC with no live sport that people understand...” – because its coverage is “too white”. Enter, Siobhan “de nada” Sharpe to mash-up some ideas for rebranding tennis. Add to that an imminent visit from Prince Charles and Portland Place all but enters meltdown. The Royal strand brings the welcome addition to the cast of Samuel West – in full just-eaten-a-wasp mode as Clarence House’s head of security. Under his icy patrician glare, the final 20 minutes unfold like an old-fashioned farce – locked doors, revolving doors, a maze of corridors linking Old and New Broadcasting House and some inevitably malfunctioning bollards. They are the oldest of visual gags but when shot with the full, luscious might of the BBC, how effective they are. All the elements of the original series are back like old friends, too – the whizzy timelapse shots of Portland Place, awkward chats in rooms labelled ‘Frankie Howerd’ and the like, and pointless meetings where people only say “Yes”, “No”, “Brilliant” or “I mean, great”. One spot-on, throwaway voiceover describes a sitcom project as “finally nearing another meeting”. Meanwhile, the in-house IT system Syncopatico is still malfunctioning, Will the intern still cannot get his words out and Siobhan is still mangling English (she gets QED muddled with QVC). As per, nobody has any good ideas, or likes anyone else. Hugh Bonneville’s wonderfully harried Ian Fletcher and David Tennant’s droll narration (“Meanwhile, back up in Frankie Howerd...”) are still probably the best things about the show. A series in, it has grown into itself. The smug celebrity cameos of Alan Yentob arm-wrestling Salman Rushdie, say, are less prevalent. There is just a quick shot of The One Show presenters in the canteen queue. And that is for the best. At the preview screening, the producer Jon Plowman said he would like the show to run until the charter renewal in 2016. On this evidence – and at the rate the BBC is churning out scandals and gaffes – it could run a lot longer than that. W1A starts 23 April at 9pm on BBC2. http://www.independent.co.uk/arts-en...-10174892.html |
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#41 | |||
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Can I get a witness?
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W1A
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#42 | |||
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The voice of reason
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#43 | |||
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Flag shagger.
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W1A is only funny because it's true.
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#44 | |||
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Can I get a witness?
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#45 | |||
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The voice of reason
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#46 | |||
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Senior Member
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No Armed Guards cost a Fortune The public can not fund that We are already paying for Armed Guards for the BBC Boss Last edited by arista; 15-04-2015 at 04:15 PM. |
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#47 | |||
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Can I get a witness?
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But she should not even need heightened security. That's just the definition of patheticness
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![]() Last edited by Pete.; 15-04-2015 at 04:18 PM. |
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#48 | |||
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Senior Member
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