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Serious Debates & News Debate and discussion about political, moral, philosophical, celebrity and news topics. |
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#1 | ||
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It's just logically no type of feminism at all. Feminists have been arguing for decades against the objectification of women in the music industry (and especially in rap) and now the oh-so-progressive answer (why on earth did no one think of it before?) is "AHA, we'll do it TOO, we'll objectify ourselves AND men, and by taking ownership of it we take back the power!"...
...except that all it actually does is undo the whole original argument, because what will those in favour of the objectification of women in rap now say when people try to argue against it? "Uhh, women do it too ![]() So the answer to women being objectified by men apparently was not to stop women being objectified... but to attain equality the answer was for men to be objectified by women, women to be objectified by women, and also women to be objectified by other women. And the male-objectifiers will love women objectifying women. ![]() Next up: solving racial inequality by taking away everyone's rights completely. Can't have enequal rights if no one has any rights, right? It's so simple... there must be some sort of catch... |
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#2 | ||
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Senior Member
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Yeah, I hate when someone speaking out on something is told they're trying to "censor" everyone else. It distracts the debate to an argument nobody made.
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#3 | ||
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Especially as I don't think I've seen ANYONE, even on the intywebs, try to argue that they "shouldn't be allowed" to make whatever music they want to make. It's hardly the first and nowhere near the worst example of "problematic music", the glorification of drugs/violence has been a problem in rap forever and there are plenty of other examples in other genres (glorification of depression/suicide in certain musical genres is one that springs to mind) but I don't think anything should be censored... really totally different to the discussion of what is a good idea and what message something sends. I'm happy to point out that I think WAP sends a questionable message whilst still defending their right to record & release it if they want to.
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#4 | |||
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Likes cars that go boom
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#5 | |||
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Likes cars that go boom
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Ok calm down I've clarified that for you. He was trying to put a label on the content certainly. It's the boomer in me that hates the content too really but in other ways its freedom of expression and so totally the artists interpretation.
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#6 | ||
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Senior Member
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I'm perfectly calm, I'm responding to someone else's post, which I'm allowed.
![]() Calm down, it is freedom of expression, a moot point though considering no one is silencing them but questioning their version of "feminism". |
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#7 | |||
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Likes cars that go boom
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I haven't suggested anyone was silenced... You've just projected that into my post.
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#8 | ||
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Banned
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Claiming censorship while looking to censor an opinion they dislike, it's grim. |
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#9 | |||
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self-oscillating
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equality is equality to my mind and i'm all for discussion on the topic. I'm not of the correct generation to see anything of value in that music video, and i'm way passed the point of being shocked by commercial shock 'trash' which is how it comes across to me. Personally, i think it's the wrong emphasis to want to emulate unseemly male behaviour, it shouldn't be an aspiration, but each to their own.
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#10 | |||
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Quand il pleut, il pleut
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...this is a long article, but if anyone can bear to read it, I think it’s the best article I’ve read on the Wap song/vid...the Republican congressman, James Bradley, btw...who is mentioned...?..(...if he’s the one I googled...)...he is not pro choice but he is pro guns...
‘WAP’ Is Making People Uncomfortable Because It’s About Female Pleasure... Unless you’re living under a rock that can’t connect to Spotify, you’ve likely heard the Cardi B and Megan Thee Stallion song “WAP,” or at least the discussion around it. It’s boastful and explicit in a way that’s consistent with a lot of rap music. But what’s made it so huge immediately following its release, and what opens it up to criticism from fearful men of all political inclinations, is how candid and explicit it is about female desire. The first time I heard “WAP,” there were lines that made me gasp. On first listen you’re likely to raise your eyebrows, or even blush a little. It’s a song that Goes There. Even its name, taken from a line that’s repeated over and over, has to be shortened to an acronym in polite conversation. “WAP” is so explicit that cleaning it up for radio play feels nearly nonsensical. The censored title, “Wet and Gushy,” feels almost more graphic than the one it’s replacing. And so many words are removed from Cardi B’s second verse that it’s mostly just verbs: “I don’t wanna [redacted], I wanna [redacted] / I wanna [redacted], I wanna [redacted] / I want you to touch [redacted] that swing in the back of my [redacted] ...” “WAP” never takes itself too seriously, and at times its exaggerations are trying to make you laugh. But it’s also a personal, thorough and incredibly detailed account of what sexual pleasure looks and feels like. That’s something we’re used to seeing and hearing from male artists, sure. But we very rarely see it from women — and clearly, it’s still subversive enough to freak a lot of people out. Republican congressman James Bradley said the song is “what happens when children are raised without God and without a strong father figure” and that he feels “sorry for future girls if this is their role model.” Former Republican congressional candidate DeAnna Lorraine claimed the song “set the entire female gender back by 100 years.” Right-wing pundit Ben Shapiro theorized the physical response to pleasure the song describes may be bacterial vaginosis. (He got roasted on Twitter, naturally, for the apparent lack of that physical response in his own life.) But it wasn’t just right-wing moralists who objected to “WAP.” Comedian Russell Brand, for some reason, weighed in to call the video “porn.” He said it couldn’t be liberating because it used a “template that had already been established by the former dominator,” in the same way that Margaret Thatcher is not a feminist icon “because the values that she extolled, espoused and conveyed were male values.” The dubious comparison of “WAP” to Margaret Thatcher’s leadership aside, it’s a flawed hypothesis. As author and university lecturer Kate Lister pointed out, “the underlining premise” of Brand’s response is that enjoying sex is “exclusively for men” and “women couldn’t possibly enjoy that like they do.” The consistent thread in all of the opposition to the song is that it’s too sexual. None of these people objected when Cardi B posed nude or when Megan Thee Stallion twerked on camera. Their sexuality wasn’t a problem when it was consumable, when their images were to there to be looked at. It crossed a line, apparently, when they became active participants: when they talked about what they liked in bed, or how it made them feel. And of course, the fact that these are two women of colour being explicit about sex means they face even more criticism, much of it coded. “Critiquing ‘WAP’ as degrading, dehumanizing art is a camouflage for critiquing Black womanhood as a problematic expression,” Brianna Holt wrote at Complex about the reaction to the song. “Whether demonstration exists through the form of a protest with signs that read ‘My body, my choice’ or a colourful music video where Megan Thee Stallion is seen doing the splits in a tiger-print bodysuit, all women deserve to express their sexuality how they choose, without the criticism from others... Black women shaking their butts and describing their sex life in music is not what sets Black women back; it’s the people who justify harm toward us because of these actions.” The whole thing is reminiscent of Bill O’Reilly slamming “Partition,” one of many stunning tracks from Beyoncé’s surprise self-titled 2013 album, and one that’s also about enjoying sex (albeit in a much less graphic way than “WAP”). According to O’Reilly, who has been accused of sexual harassment, “Partition” was irresponsible because “teenage girls look up to Beyoncé, particularly girls of colour,” and the song ignored the “devastation” of “unwanted pregnancies” and “fractured families.” At the time the album was released, Beyoncé was married and had recently had her first child. By conservative pundit logic, being in a heterosexual marriage is essentially the only time sex is permitted. But to hear O’Reilly explain it, even a married mother enjoying sex with her husband was not okay. He framed female desire as dangerous, a force that could be destructive to society. The idea that a song about women having pleasurable sex could be harmful to teenage girls is puzzling, even when it isn’t coming from a middle-aged man. Like a lot of art that’s clearly and specifically about sex, no, “WAP” and “Partition” aren’t appropriate for young kids. But it’s actually really healthy to offer teenage girls a conversation about sex that’s squarely focused on their own pleasure. That’s something that was hard to find when I was a teenager in the early and mid-2000s. The charts were dominated by sexy virgins who bared metres of midriff and excessive cleavage but spoke about preserving their virginity, letting girls know it was important to be sexually desirable but not to actually have any desires themselves. There was also the casual misogyny of the pop-punk and emo bands I loved, where women were casually referred to as “*****s” and male singers who would later be revealed to have inappropriate relationships with underage fans fantasized about girlfriends who dumped them dying violently. Sure, there was the odd exception. But songs that not only thought about an honest female perspective, let alone considered what female desire felt like, were few and far between. Growing up in a culture so heteronormatively focused on “pleasing your man,” teen girls could definitely benefit from more of that. What’s new about “WAP” isn’t that it’s sexually graphic. There wasn’t a similar moral panic around The Weeknd’s “Initiation,” or Lil’ Wayne “Lollipop,” or George Michael’s “I Want Your Sex.” The fact that so many people are scandalized by “WAP” is a clear indication of just how much we need it. https://uk.yahoo.com/news/wap-cardi-...213447804.html
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Last edited by Ammi; 17-08-2020 at 04:51 PM. |
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#11 | ||
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As for the first paragraph; I think they missed the part where half of the song that apparently isn't about "heteronormatively pleasing your man" is about women "enjoying" getting throat-****ed until they choke... in an environment where support services for female victims of sexual violence are already FULL of girls and young women who have had unpleasant encounters with inexperienced boys who think that's normal and enjoyable for the girl because of how it's represented in actual porn. Do we REALLY need mainstream pop music reinforcing the idea that, unless they're somehow sexually repressed, women enjoy balls slapping their chins until they vomit? Is... is that feminism? If so, I think I really have missed the progressive boat. I don't have much desire to catch the next one ![]() |
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#12 | |||
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Likes cars that go boom
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#13 | ||
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Senior Member
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*sighs*
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I made both posts before you replied to the first one. One in response to you, one in response to TS around the same point. But, yeah, I twisted it. ![]() A discussion you started about whether Russell Brand's debate was in anyway linked to censorship or calling for it. We all agree he's not. Moving on. Last edited by Marsh.; 17-08-2020 at 12:53 AM. |
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#14 | |||
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Likes cars that go boom
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I was the first person to mention the phrase censor in the thread.
You said ' how is he attempting to censor it'? I agreed it wasn't the best way to describe his take and amended my point. Not once did I mention anyone being silenced so that point is moot as it bears no relevance to any of my comments here. It's my opinion that in questioning their version of feminism that's challenging their freedom of expression, as he's projecting his own warped perception of feminism by terming his interpretation 'porn'
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#15 | |||
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Quand il pleut, il pleut
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...yeah, I am atm of similar thought to Kizzy...I mean, I like Russell, but saying it was erotica was how he sees it and how he is seeing the ladies ..and I think he said something along the lines of them looking lovely or pretty as well...he’s not seeing them as whole and entire people, he’s only seeing ‘sex’ and I think that’s a huge issue with how females can often be seen and he’s just ‘bought into that’ with what he’s saying...which is quite disappointing...you can’t really give a message that it does feminism no favours’...while doing feminism no favours with what you say....I mean, ‘mansplaining feminism’ is fine, I don’t have any issues with it personally...but it has to be an ally, in my own opinion...and I didn’t see that with Russell and his public opinion...
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Last edited by Ammi; 17-08-2020 at 06:33 AM. |
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#16 | |||
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Quand il pleut, il pleut
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...anyways, that’s it really...I just don’t have so much to say atm about this song and vid because I still haven’t given it much thought...(...it’s quite a catchy tune though, I have to say...)...
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#17 | |||
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Queen Michelle!
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i mean the only thing what comes close to his music experience is his 2 years of marriage to Katy Perry ![]() also LOL at Brand's personal information Quote:
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Spoiler: No.1 Michelle Tsiakkas Stan Account Strictly 2025 Faves: Amber & Nikita, Lewis & Katya, Ross & Jowita, Jimmy & Lauren, Alex & Johannes |
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#18 | ||
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Senior Member
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#19 | |||
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This Witch doesn't burn
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![]() On the issue itself, it's great free publicity for them
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'put a bit of lippy on and run a brush through your hair, we are alcoholics, not savages' Quote:
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#20 | ||
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Senior Member
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You accused my second comment of "sniping" at you, when I was responding to another poster. Read. Never said you did. I said no one was being silenced as in "censored". Brand wasn't trying to silence anyone in giving his opinion. Last edited by Marsh.; 17-08-2020 at 06:39 AM. |
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#21 | |||
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Likes cars that go boom
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Yeah yeah..
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#22 | ||
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Senior Member
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#23 | |||
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Likes cars that go boom
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I'm not the one itchin to start bitchin after a 2 day 'forum holiday'
![]() Best stick to the topic.
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#24 | |||
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Senior Member
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I don’t think anyone has actually claimed that it is feminism though? The only people who have mentioned feminism are the men offended by women enjoying their sexuality, I can’t imagine Cardi wrote this song with the idea of being the next Emmeline Pankhurst, she released a song she wanted to, with lyrics she wanted to use, like men have been doing forever, like I’ve said before, nobody cares when men rap about bitches and licking lollipops, they only get offended when women talk about sex because it’s ‘not what women do’ it’s a completely sexist mindset
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Last edited by Liam-; 17-08-2020 at 06:13 PM. |
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#25 | ||
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The second BIB is flat out false, also. Normalisation of "porn culture sex" as something to be expected leads to increases in sexual violence - especially amougst young, inexperienced people. Throwing the idea that agrressive sex acts are actually "what girls want" - coming FROM women - is only going to make that worse. That's not to say that some don't enjoy rough sex, but far from everyone does, and those who do mostly don't want that all the time with every partner. To be clear; the part about the women getting oral sex is not the problematic part of the song. The parts about having sex for money/reward and enjoying (expecting/demanding) aggressive deep-throating are. I mean the latter is straight up physically dangerous when dumb teenagers try to emulate it with no idea what they're doing. |
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