Quote:
Originally Posted by James
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The thing that bothers me about this scene is how so obvious the stunt doubles are. That was always a big problem in the Moore era, but it's especially ridiculous here. But then finding a stunt double for Richard Kiel, even with all that money at their disposal, must've still been a very tall order.

I guess it fits with the generally ridiculous tone of Moonraker. One of my favourite sequences in Moore's era is the Citroen chase in For Your Eyes Only. The music is bangin'.